In the news...
"Sylvia Berry's recital opened with the quiet, searching adagio of Mozart's Sonata in E-flat Major, K. 282, a gutsy gambit that revealed a poetic sensibility and a willingness to draw listeners in with spaces to pause and reflect. These qualities contrasted nicely with up-tempo movements, which were handled with verve."
— Benjamin Dunham, Early Music America
"Special applause for continuo fortepianist Sylvia Berry, [who played] as if she were one of the actors."
— Lloyd Schwartz, Boston Phoenix